Grib og hold
This grip requires finger strength to feel secure. Some moves may require a double-cup grip, such as the shoulder mount. In case of a double cup grip, your dominant hand should always go on top. For example, if you’re using your right side, your right hand should be on top.
All fingers should be on the same side of the pole in this grip, while the hands themselves can be on the same or opposite side. Most of your weight should be against the base of your fingers and the top of your palm. Many people feel this grip lacks security when used with spins.
For a right-handed hold, use your right hand.
For a left-handed hold, use your left hand.
This is the most basic hold you’ll learn in pole dancing, and it’s used in a wide variety of moves. Most commonly, it can be seen in upright spins such as Fireman and Cradle.
Imagine you’re on a baseball field holding a baseball bat – now, bear with me, even if you’ve never played – that’s how you want to hold the pole! Thumbs wrapped around and hands on either side of the pole. This is called a Crush Grip and we’ll refer to it as such from here on out.
For a right-handed hold, your right hand will be on top.
For a left-handed hold, your left hand will be on top.
This hold is the basic stance you’ll want to be in when doing your pole abs, basic invert, or the static pole version of backhook spin. It relies on three main points of contact: the first is your typical baseball hand grip on top with the outside hand, the second will be your inside hand gripping the pole below the first, and third, you’ll be squeezing the pole against your inner arm. Imagine wrapping your arms around the pole and giving it a big ol’ side hug; that’s your stronghold grip!
For a right-handed hold, your right hand will be on top
For a left-handed hold, your left hand will be on top
This grip will help anchor your body against the pole without powering through and trying to out-muscle the pole. You can think of this grip as a fulcrum for your body to move up and down. You should be able to completely release your legs in this hold without your body collapsing in.
For a right-handed hold, your right arm is bent on bottom.
For a left-handed hold, your left arm is bent on bottom.
This hold is common in a variety of spins and inverted moves, relying on the Push and Pull technique; you’re Pushing with your bottom hand and Pulling with your top hand at all times, engaging the shoulders and keeping your core tight. If you are inverted, the same principle applies, except your bottom hand is now closest to the ceiling, and your top to the floor.
One important note to remember about this hold is, you always want to keep your bottom finger (the “trigger finger”) pointed to align your wrist with the pole and help prevent injuries. See important information on the Push Pull Method here.
For a right-handed hold, your right hand is on top.
For a left-handed hold, your left hand is on top.
This grip is a variant of the full split grip / bracket grip mentioned above. It still relies on the Push and Pull method, and it’s still important to engage the shoulders and keep the core tight. The main difference here is the bottom hand is held out like you’re about to shake someone’s hand. This reduces the strain on the bottom elbow if done properly, with much of the same utility as split grip. It is more commonly seen in upright moves, especially spins.
For a right-handed hold, your right hand is on top.
For a left-handed hold, your left hand is on top.
In this grip, the meaty inside part of the elbow wraps around the pole, locking your weight in against the pole. This is typically demonstrated in inverted moves such as Ayesha and Jade, or as a variation to split / bracket grip. This can also be a variant for upright moves that require a secure grip.
For a right-handed hold, use your right arm.
For a left-handed hold, use your left arm.
This move is crucial in many inverted moves, from layback flips to brass monkey and forearm grip Ayesha and beyond. Most commonly found in inverted moves, it can provide a fulcrum to your body just like anchor grip can in a climb. Some moves may work well with a double forearm grip as well.
For a right-handed hold, your right arm will be bent on bottom.
For a left-handed hold, your left arm will be bent on bottom.
The armpit hold is not a favorite for many, pinching sensitive areas of the skin, but it can result in some gorgeous shapes such as Teddy which utilizes the front of the armpit, or the Chopstick split which utilizes the back of the armpit. Moves such as Gemini may incorporate the armpit hold but don’t rely on it quite like Yogini would. Overall, once you get comfortable with the armpit hold, it can become one of your best friends in pole dancing, especially as you move into more advanced tricks.
For a right-handed hold, use your right arm.
For a left-handed hold, use your left arm.
The princess grip is a variation to the double cup grip commonly used in shoulder mounts. If the double cup grip puts a strain on your elbows or you’re not entirely comfortable with it, give this one a try! Some people like it, some people don’t. It’s all about preference here.
Another move this hand grip is commonly used in is the sexy squat; by holding the pole above you with both hands, you have much more control when you lower yourself down into the wide, straddle-squat position we all know and love
For a right-handed hold, your right arm is on top.
For a left-handed hold, your left arm is on top.
This grip isn’t very common, as it can be a little tricky to get into and not so comfortable depending on the length of your body. The tabletop plank is a great move for photoshoots, but not so much for routines where practicality rules. Now, that’s not to say you can’t go into other moves from a tabletop position; you absolutely can, so long as you have the strength to deadlift yourself there.
It is so very important to keep your shoulder blades (namely the scapula) and core engaged in this hold. This hold can be tough on the shoulders, requiring mobility to rotate while behind your back, and strength in the minor muscles to hold the position. Keeping your shoulders engaged will help relieve the stress on your shoulders, and keeping your core engaged will help ensure you don’t cave in and put additional stress on your shoulders or wrist.
For a right-handed hold, your right arm should be on top.
For a left-handed hold, your left arm should be on top.
The twisted grip is a common variation of split grip. Instead of the top hand facing away from you like it might in split grip, your shoulder is rotated so you can reach around the pole and grabbing the opposite side. It sounds a little complicated when explained, but in practice it’s very easy to get into.
This is one of the most common hand grips for the handspring, probably only competing with cup grip. Twisted grip has a bit of controversy and debate surrounding it. To some people, it’s an injury waiting to happen, and to others, they couldn’t love it more.
For a right-handed hold, your right hand should be on top.
For a left-handed hold, your left hand should be on top.
This grip is called Goofy grip by some for a reason. It looks uncomfortable and a little, well, goofy. In truth, this is an easy way to invert, whether you’re looking for a shoulder mount variation or a way to spice up your Chopper invert.
Especially in competitions, you can usually tell which invert someone is prepped for by the way they grip the pole; cup grip for shoulder mounts and stronghold for chopper inverts. While the Goofy grip is a little more challenging than these standard grips, it’s a great way to surprise the audience when you pop up unexpectedly into an invert.
For a right-handed hold, your right arm should be bent on bottom.
For a left-handed hold, your left arm should be bent on bottom.
Though this grip is not so much a grip as it is a byproduct of an invert or hip hold, it’s still worthy to mention. Here, the pole will rest in the small of your waist as you lean back into your Chopper invert or hold your Yogini. This soft spot is right above your hip bones, and helps your body move with less resistance against the pole.
Men may find this spot trickier to find, as the “small of the waist” is less defined. In other words, it is the fleshy space underneath your ribs and above your hips.
For a right-sided hold, the pole should be on the right side of your body.
For a left-sided hold, the pole should be on the left side of your body.
The hip hold is a subtle but crucial hold; we’ll use Jade as an example here. If you’re just learning the move, chances are, you’re having trouble holding the move without sliding down the pole because you’re not including your hips into it.
If you’re in the right position, you can engage the hips by arching your back; this will cause your hips to come forward with the spine as it bends, pressing your hips into the pole. In Jade specifically, you can also bring your outside hand to your bum and help your hips forward.
For a right-sided hold, the pole should be on the right side of your body.
For a left-sided hold, the pole should be on the left side of your body.
The knee pit is one of the most common places to grip the pole whether you’re working with beginner-level, intermediate, or advanced pole tricks. The first few tricks you do with this grip may be uncomfortable, but its versatility is incredible. Before you know it, the knee pit grip will be your best friend in the world of body holds.
For a right-sided hold, use your right knee.
For a left-sided hold, use your left knee.
Have you ever taken a yoga class? Do you remember that “figure four” pose that had you standing on one leg, while the other leg was crossed on top of your knee, creating a space between your thighs? That’s exactly what this grip is.
Laybacks are some of the scarier beginner moves to accomplish, so it’s important to understand the grips that come with the territory. After you’ve gotten into your lady sit, you can cross your leg as shown and layback, using your bum to help your body rotate while your shin and calf keep you on the pole without slipping.
For a right-sided hold, your right leg should be bent on top.
For a left-sided hold, your left leg should be bent on top.
The thigh grip is one of the most dreaded holds in the pole dance world. On the “not so bad” end of the scale, you have your Cross Ankle Layback, which you can get into upright from a ladysit. Your ankles are locked and you’re upright for the beginning half, so it’s not so bad on your upper thighs, even though the pole is pressed tightly between them.
Superman, on the other hand, takes some getting used to. There are a variety of ways you can get to this move, but here, the skin is pulled and pinched in the opposite direction. Of course, the more you work with this hold, the less it hurts; that can be said about almost anything about pinched skin in pole dancing.
Once you master this hold, it’s a versatile way to achieve more advanced moves that you might not have been able to before.
This hold is used in a variety of moves where the bum is resting on the pole and the leg is hooked on the side of the pole. You should feel secure in this hold with the pole against the length of your thigh and bum.
Common moves this hold is used with is the Sidesaddle Superman, the Russian Layback, and the Martini sit. These moves all use the same position for the inside leg to help secure your body, even if the outside leg and body positions are different.
For a right-sided hold, your right leg should be bent.
For a left-sided hold, your left leg should be bent.